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#2004 phantom of the opera movie
#2004 phantom of the opera serial
#2004 phantom of the opera driver
#2004 phantom of the opera license

Did They or Didn't They?: When the Phantom puts Christine to bed, she's wearing stockings.

The expanded backstory also includes the fact that Erik killed the carnival owner as a young boy-granted, the man was badly abusing him (we see Erik being beaten, and when he gets to the opera house he's covered in bruises) and absolutely had it coming, but he's still driven to murder at a very young age.

The film goes one step further, showing how she rescued him from said sideshow when they were both very young.

In the musical, Madame Giry tells Raoul what she knows of the Phantom's past, including that he ended up imprisoned in a cage in a traveling fair.

Dark Reprise: "Phantom's Notes II" got really dark when it was combined with "Why So Silent?", where he's threatening everyone with a sword.

#2004 phantom of the opera movie

Color Motif: Red in the movie musical symbolizing undying love and all consuming obsession.

Raoul and the Phantom duel in the graveyard over Christine, replacing a scene in the stage show where the Phantom antagonizes Christine and Raoul.

Canon Discontinuity: It would be impossible to make a film adaptation of Love Never Dies without breaking continuity with the movie, since it had established that Christine dies in 1918, with the implication that it was because of the flu pandemic.

Call-Back: A small one: in the Phantom's lair at the end, Raoul has blood on his shirt in exactly the same place that the Phantom wounded him at the cemetery, as though the relatively fresh wound had reopened at some point in his struggle to get to Christine.

Big Damn Kiss: Christine and The Phantom's kiss seems to go on for about five minutes.

(And, of course, has never been destroyed by a fire.) The real Palais Garnier, which the Opéra Populaire is based on, also hadn't been completed yet.

#2004 phantom of the opera license

Artistic License History: In Real Life, Paris in late 1870 was under heavy siege by the Germans, whereas in the film there's nary a hint of the Franco-Prussian War.Giry, and both The Phantom and Christine. Christine's backstory gets a little more development as well, showing how she came to the opera house as a young girl.It's explained how Madame Giry came to know and unofficially 'work' for the Phantom when she was a teenager and he was presumably around ten, she helped him to escape from a travelling fair where he was abused and exhibited as a human oddity, and showed him a place to hide in the opera house.It is unfortunate for musicals that there was such a rush to catch up with Chicago because you get musicals like this that feel more harmful to the genre than beneficial. Fans of musicals probably will enjoy it due to the lack of musicals in modern day, but those who are on the fence about musicals probably won’t be won over by this film. The musical is marginally good, and this is a very bland adaptation of it. The Phantom of the Opera isn’t a very good movie. The stylized beginning and endings of the film try too hard and come off as a Tim Burton rip-off. The film is brash and big looking, but it lacks feeling and is somewhat cold. After Chicago won Best Picture, the musical came back in vogue and people were scrambling for material. The movie does have some nice looks and does sound good. Other stars in the movies like Miranda Richardson and Ciarán Hinds could have also had more screen time to break up the melodrama.

#2004 phantom of the opera driver

Minnie Driver is wasted as the uppity star Carlotta. Gerard Butler, Emmy Rossum, and Patrick Wilson are all a bit over-the-top and doing stage acting in the film, leading to very wooden performances. The acting for the movie isn’t very good either. The film was nominated for Academy Awards for Best Achievement in Cinematography, Best Achievement in Art Direction, and Best Original Song (“Learn to be Lonely”). The movie was met with a big box office draw but mixed reviews from critics.

#2004 phantom of the opera serial

Though infatuated with the “Opera Ghost”, the Christine’s real love is her childhood friend Raoul (Patrick Wilson)…and with Raoul in the way, the Phantom will fight for Christine and her voice!ĭirected by Joel Schumacher, The Phantom of the Opera is an adaptation of Andrew Lloyd Webber’s 1986 musical based upon the 1909-1920 serial novel Le Fantôme de l’Opéra by Gaston Leroux. When he sets his eyes on a talented young singer named Christine Daaé (Emmy Rossum), the Phantom demands she star in the next opera…and willing to stop anyone who gets in the way. The building is allegedly haunted by the Phantom (Gerard Butler) who refuses to allow the productions to go on in any way but the way he demands. The Paris Opera House is under new ownership but facing a problem. Phantom that this is a really weird first date.